And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;
The Second Trumpet, Rev 8:8-9
8. a great mountain burning with fire ] Cf. Jer 51:25. It can hardly be said how far the image may have been suggested to either prophet by the natural phenomenon of a volcano: of the two, St John is likelier to have seen one than Jeremiah. Volcanoes are almost always near the sea.
became blood ] This plague, like the last, reminds us of one of the plagues of Egypt, Exo 7:17 sqq.
Fuente: The Cambridge Bible for Schools and Colleges
And the second angel sounded – Compare the notes on Rev 8:2-7. This, according to the interpretation proposed above, refers to the second of the four great events which contributed to the downfall of the Roman empire. It will be proper in this case, as in the former, to inquire into the literal meaning of the symbol, and then whether there was any event that corresponded with it.
And as it were a great mountain – A mountain is a natural symbol of strength, and hence becomes a symbol of a strong and powerful kingdom; for mountains arc not only places of strength in themselves, but they anciently answered the purposes of fortified places, and were the seats of power. Hence, they are properly symbols of strong nations. The stone that smote the image became a great mountain, and filled the whole earth, Dan 2:35. Compare Zec 4:7; Jer 51:25. We naturally, then, apply this part of the symbol to some strong and mighty nation – not a nation, necessarily, that issued from a mountainous region but a nation that in strength resembled a mountain.
Burning with fire – A mountain in a blaze; that is, with all its woods on fire, or, more probably, a volcanic mountain. There would perhaps be no more sublime image than such a mountain lifted suddenly from its base and thrown into the sea. One of the sublimest parts of the Paradise Lost is that where the poet represents the angels in the great battle in heaven as lifting the mountains – tearing them from their base – and hurling them on the foe:
From their foundations heaving to and fro,
They plucked the seated hills, with all their load,
Rocks, waters, woods, and by the shaggy tops
Uplifting, bore them in their hands, etc.
Book vi.
The poet, however, has not, as John has, represented a volcano borne along and cast into the sea. The symbol employed here would denote some fiery, impetuous, destructive power. If used to denote a nation, it would be a nation that was, as it were, burning with the desire of conquest – impetuous, and fierce, and fiery in its assaults – and consuming all in its way.
Cast into the sea – The image is very sublime; the scene, should such an event occur, would be awfully grand. As to the fulfillment of this, or the thing that was intended to be represented by it, there cannot be any material doubt. It is not to be understood literally, of course; and the natural application is to some nation, or army, that has a resemblance in some respects to such a blazing mountain, and the effect of whose march would be like casting such a mountain into the ocean. We naturally look for agitation and commotion, and particularly in reference to the sea, or to some maritime coasts. It is undoubtedly required in the application of this, that we should find its fulfillment in some country lying beyond the sea, or in some seacoast or maritime country, or in reference to commerce.
And the third part of the sea became blood – Resembled blood; became as red as blood. The figure here is, that as such a blazing mountain cast into the sea would, by its reflection on the waters, seem to tinge them with red, so there would be something corresponding with this in what was referred to by the symbol. It would be fulfilled if there was a fierce maritime warfare, and if in some desperate naval engagement the sea should be tinged with blood.
Fuente: Albert Barnes’ Notes on the Bible
Verse 8. A great mountain burning with fire] Supposed to signify the powerful nations which invaded the Roman empire. Mountain, in prophetic language, signifies a kingdom; Jer 51:25; Jer 51:27; Jer 51:30; Jer 51:58. Great disorders, especially when kingdoms are moved by hostile invasions, are represented by mountains being cast into the midst of the sea, Ps 46:2. Seas and collections of waters mean peoples, as is shown in this book, Re 17:15. Therefore, great commotions in kingdoms and among their inhabitants may be here intended, but to whom, where, and when these happened, or are to happen, we know not.
The third part of the sea became blood] Another allusion to the Egyptian plagues, Ex 7:20; Ex 7:21. Third part is a rabbinism, expressing a considerable number. “When Rabbi Akiba prayed, wept, rent his garments, put of his shoes, and sat in the dust, the world was struck with a curse; and then the third part of the olives, the third part of the wheat, and the third part of the barley, was smitten “Rab. Mardochaeus, in Notitia Karaeorum, p. 102.
Fuente: Adam Clarke’s Commentary and Critical Notes on the Bible
There is a great variety of senses also about this
mountain of fire cast into the sea. Some by it understand things happening in Judea; but this had been not to have showed John the things which should be, but which had been. Others will have the devil understood; others, the power of the Roman empire; others, some great war stirred up amongst people; others, some notable heresy or heretic; others, some famous persons in the church: but I most like Mr. Medes notion again here, who understands by this mountain, Rome, the seat of the western empire; great cities being called mountains in Scripture phrase, Isa 37:24; Jer 51:25.
And the third part of the sea became blood: this phrase speaks only the great effusion of blood upon the taking of Rome by its enemies.
Fuente: English Annotations on the Holy Bible by Matthew Poole
8. as it werenot literally amountain: a mountain-like burning mass. There is a plain allusion toJer 51:25; Amo 7:4.
third part of the sea becamebloodIn the parallel second vial, the whole sea (notmerely a third) becomes blood. The overthrow ofJericho, the type of the Antichristian Babylon, after which Israel,under Joshua (the same name as Jesus), victoriously tookpossession of Canaan, the type of Christ’s and His people’s kingdom,is perhaps alluded to in the SEVENtrumpets, which end in the overthrow of all Christ’s foes, andthe setting up of His kingdom. On the seventh day, at theseventh time, when the seven priests blew the sevenram’s horn trumpets, the people shouted, and the walls fell flat: andthen ensued the blood-shedding of the foe. A mountain-likefiery mass would not naturally change water into blood; nor would thethird part of ships be thereby destroyed.
Fuente: Jamieson, Fausset and Brown’s Commentary Critical and Explanatory on the Whole Bible
And the second angel sounded,…. His trumpet:
and as it were a great mountain burning with fire was cast into the sea; by which is meant not the devil, as some think; called a “mountain” from his height of pride, a great one from his might and power, and a “burning” one from his great wrath and malice against Christ, his Gospel, and his people; and who may be said to be “cast into the sea” of this world, and the men of it, whom he instigates against the saints, and who are like a troubled sea that cannot rest: but rather some heresy, and, as some have thought, the Macedonian heresy, which was levelled against the deity of the Holy Spirit, as was the Arian heresy against the deity of the Son; the abettors of which looked big, and were supported by power, and showed great zeal for religion, and pretended to great light and knowledge; and which heresy much affected the sea of pure doctrine, particularly the third part of doctrine, in which the third Person, the Spirit of God, is more especially concerned; and was of so pernicious a nature, as to kill many that professed the Gospel, and had a name to live, and destroy many particular churches, comparable to ships; but, as before, it is best to understand this of another incursion of the Goths into the Roman empire, and of the effects of it; and it seems to have respect to the taking and sacking of Rome by Alaricus, king of the West Goths, in the year 410, or 412 m. Rome is very fitly represented by a great mountain, as kingdoms and cities sometimes are; see Zec 4:7; seeing it was built on seven mountains; and its being taken and burnt by Alaricus is aptly expressed by a burning mountain, as the destruction of Babylon, which is another name for Rome, is by a burnt mountain in Jer 51:25; the “sea” into which this was cast may signify the great number of people and nations within its jurisdiction which suffered, and were thrown into confusion at this time; so distresses and calamities in nations are expressed by a like figure in Ps 46:2;
and the third part of the sea became blood; that is, a third part of the jurisdiction of Rome, signified by the sea, see Jer 51:36; was afflicted with wars and bloodshed by this same sort of people; for while these things were done in Italy, a like calamity fell on France and Spain; the Alans, Vandals, and Sueves, having depopulated France, passed over the Pyraenean mountains, and seized on Spain; the Vandals and Sueves on Gallaecia; the Alans on Portugal; and the Silingi, which was another sort of Vandals, invaded Andalusia n; the Goths under Ataulphus entered France, and the Burgundians seized that part of it next the Rhine o: see Ex 7:20.
m Cassiodor Chronicon in Honor. & Theodos. 43. Petav. ib. p. 276. Hist. Eccl. Magdeburg. cent. ib. p. 872. Vid. Hieron. ad Gaudentium, fol. 34. M. n Cassiodor. ib. Petav. ib. o Cassiodor. Chronicon. ib.
Fuente: John Gill’s Exposition of the Entire Bible
As it were (). “As if,” not a great mountain, but a blazing mass as large as a mountain.
Burning with fire ( ). Present middle participle of . Somewhat like Enoch 18:13, but perhaps with the picture of a great volcanic eruption like that of Vesuvius in A.D. 79. Strabo tells of an eruption B.C. 196 which made a new island (Palaea Kaumene).
Became blood ( ). Like the Nile in the first plague (Ex 7:20ff.). Cf. also 16:3.
Fuente: Robertson’s Word Pictures in the New Testament
As it were [] . Not a mountain, but a fiery mass so large as to resemble one.
Blood. Reminding of the first plague in Egypt (Exo 7:20, 21).
Fuente: Vincent’s Word Studies in the New Testament
THE SECOND TRUMPET, V. 8, 9
1) “And the second angel sounded,” (kai ho deuteros angelos esalpisen) “And the second (of the seven) Angel trumpeted,” sounded like a trumpet, or sounded his trumpet, as he did again, Rev 16:3.
2) “And as it were a great mountain burning with fire,” (kai hos aros mega puri kaiomenon) “And (it was) as a great mountain with fire burning; a turbulent upheaval, as described Jer 51:25, when the mighty Babylon shall be destroyed, and a remnant of Israel preserved, Amo 7:4-5.
3) “Was cast into the sea,” (elethe eis ten thalassan) “And it was cast into the sea,” a symbol of Divine judgment upon those who rejected the Son of God, Rev 16:3.
4) “And the third part of the sea became blood,’ : (kai egeneto to triton tes thalasses hima) “And the third part of the sea became blood; as God’s catastrophic fury was poured out upon the earth, as in the plagues of Egypt, Exo 7:19-20; Eze 14:19; Rev 11:6.
Fuente: Garner-Howes Baptist Commentary
Strauss Comments
SECTION 26
Text Rev. 8:8-9
8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; 9 and there died the third part of the creatures which were in the sea, even they that had life; and the third part of the ships was destroyed.
Initial Questions Rev. 8:8-9
1.
What followed the sounding of the second trumpet Rev. 8:8?
2.
What particular part of creation was effected?
3.
How extensive was the destruction Rev. 8:9?
4.
What place does the sea play in the life of man?
Rev. 8:8
The first trumpet sounded for the affect on the earth; now the second trumpets sounds and the marine area is affected.
John does not assert that a burning mountain fell into the sea, but rather he says that as (hs a simile as or like a mountain) a great mountain burning with fire. . . . This could have been the imagery of a great meteorite. This fire brand affected the habitant of the fish. Fish were counted as a vital source of food in the first century. The imagery of the sea was no doubt the Mediterranean Sea. One third of the sea became blood. This symbolism could have come from the first Egyptian plague (Exo. 7:20-21)
Rev. 8:9
The extent of the destruction is here revealed. One third of all living (psukas see appendix immediately following this chapter) were destroyed (diephtharsan 2nd aor. passive were destroyed in a single act).
Review Questions for Entire Chapter 8
See Rev. 8:13.
Fuente: College Press Bible Study Textbook Series
(8, 9) And the second angel . . .Translate, And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea; and the third part of the sea became blood; and the third part of the creatures that were in the sea died, those which have lives; and the third part of the ships were destroyed. The sea becoming blood reminds us again of the plagues in Egypt (Exo. 7:20-21); but we must once more note the variation. It is not an uplifted rod like that of Moses which produces this result: it is the casting into the sea of a huge mass, as it were a great mountain, burning with fire. Professor Stuart calls this image appropriate or peculiar to St. John. The prophet Jeremiah, however, in a chapter which in many particulars is parallel to this and the following chapter (comp. Rev. 11:18), makes use of a very similar image: Behold, I am against thee, O destroying mountain, saith the Lord, which destroyest all the earth; and I will stretch out mine hand upon thee, and roll thee down from the rocks, and will make thee a burnt mountain (Jer. 51:25). The mountain was the emblem, in Jeremiahs prophecy, of the strong consolidated power and institutions of Babylon. Not only must the loftiness of man be brought low, but the mountains which they made so strong for themselves. The power of Gods advancing cause would hurl the rooted mountains from their base. The power of faith, Christ declared, would suffice to do this (Mat. 21:21); and it is at least a singular coincidence that this saying of the Lords respecting the overthrow of a mountain should occur in His own comment on the destruction of the fig-tree, just as, in this chapter, the vision of the mountain overthrown follows that of the destruction of tree and grass life. Our Lord encourages the faith of His disciples: Your power will not only expose the pretentious religionisms of the world, as My word has shown the worthlessness of this tree, but you will overthrow also the long established usages and evil customs of nations which corrupt the world. The powers which seemed strong as the great mountains would be seen to be but evil powers, burning, poisoning, destroying; but its power to destroy is checked: it is cast into the sea. Yet no great institution, or nationality, or evil principle is overthrown without some corresponding disadvantages. The falling mountain carries evil even in its fall, the sea becomes blood, the ships are destroyed. The fall of a great nationa Babylon is always fraught with unavoidable miseries to the world and its nations. Doubtless, the interests of commerce and shipping suffer; but this is not, it seems to me, the point of the vision. The symbolism is only weakened by supposing an allegorical mountain to fall into a literal sea and to destroy literal ships. The force of the vision is that certain gigantic forms of evil will be overthrown, but the overthrow will be accompanied with the development of new evils: the advance is made, but the step forward unveils the subtle force of evil. Every corrupt institution is destroyed with the risk of the evil elements diffusing themselves elsewhere; just as the political victory of Christianity was followed by the infusion of certain Pagan elements into the Church. The vanquished always manage to impose some laws on the victor. Even the advance of the Church is accompanied by some such experience.
Fuente: Ellicott’s Commentary for English Readers (Old and New Testaments)
SECOND TRUMPET The curse-struck sea, Rev 8:8-9.
8, 9. As it were Not really a mountain, but a burning bolt, mountain-shaped and mountain-sized. Fire again indicates that it is a bolt of wrath; its size is necessary to its doing such damage to so vast a domain as the sea. The third part symbolizes a divine proportioning, leaving a major part in beneficence. To the fisherman, the seaman, the merchant-man, the beneficence of the sea is thus much despoiled; while the images of blood and the third of lost ships, may suggest ideas of naval slaughter.
Fuente: Whedon’s Commentary on the Old and New Testaments
‘And the second angel sounded and as it were a great mountain burning with fire was cast into the sea, and the third part of the sea became blood, and the third part of creatures which were in the sea died, those that had life, and the third part of the ships were destroyed.’
The second wind of heaven affects the sea (see Rev 7:1). We are not told which sea is involved, (‘in Spirit’ John could be anywhere) but the description may be of a meteor or asteroid crashing to earth producing great devastation and even changing the colour of the sea. Because it hits the sea its worst effects are avoided, but it still causes great devastation around it. The sea was always seen by the Israelites as an enemy, for they had few ports and little to do with it.
This is possibly not seen as being as widespread as the first disasters, for it affects only one sea, but it is deeper in intensity. God’s judgments are sometimes widespread, and sometimes deeper in intensity. Whether such an event which meets all these criteria has specifically happened in history we may not be able to identify (so much of history is a blank to us), but we do know of devastation caused by meteors and other spatial objects, some of which have caused quite considerable devastation, and there are early records of such events. Once again ‘the third part’ is apocalyptic language for great devastation.
Speaking of the 6th century AD Roger of Wendover (13th century AD) refers to a catastrophe that was exceedingly widespread, probably caused by the effects of a comet breaking up in space or an asteroid, as follows, ‘a comet in Gaul so vast that the whole sky seemed on fire. In the same year there dropped real blood from the clouds — and a dreadful mortality ensued’. While almost certainly exaggerated the language has similarities with our passage. Such events have occurred, fortunately relatively rarely, throughout history, including in the twentieth century in, for example, Siberia.
John himself is thinking of a relatively short period for these activities, for he could not foresee the time that would elapse before Christ’s Second Coming. These things were to ‘soon come about’ and there can be no question but that things which could be interpreted as them were experienced in John’s day. But God’s perspective is different. He sees history as a whole. John is again saying that when such devastating things happen the Christian can be aware that it is not a sign that God has forgotten us. Rather He allows them in order to remind men of the even more devastating judgment to come.
On the other hand, the idea of ‘stars’ (heavenly lights of one kind or another) falling from heaven and causing devastation are known in other apocalyptic literature (e.g. the Book of Enoch mentioned by Jude (Rev 1:14)) and there they represent fallen angels. Indeed, the king of Babylon, who made great claims to deity was pictured as the Day-star, falling from heaven which suggests a similar background (Isa 14:12). It may thus be that that is the idea here, and that a powerful fallen angel is seen as carrying out what is written here.
If it is a fallen angel and not a specific natural catastrophe that is in mind it could again mean the angel does his work over a period of time. Fallen angels are a feature of Revelation and pictured as falling stars (Rev 9:1-2; Rev 12:4). (In Daniel 10 they are constantly at work throughout history). As these first four trumpets connect with the four angels at the corners of the earth (Rev 7:1) this may well be so. But the deliberate avoiding of the word ‘star’ suggests that in this case John may well be talking only of natural phenomena (in contrast with the third trumpet to follow).
The Third Trumpet Sounds.
The Second Trumpet Sounds The sounding of the second trumpet involves something that looks like a great mountain burning with fire being cast into the sea.
The Second Trumpet Interpreted as World War II – Irvin Baxter believes this is a prophecy of World War II. He teaches that to a first century writer, the image of the mushroom cloud from the atomic explosions over Japan could have easily been described as “a mountain burning with fire.” The fact that Japan in an island in the Pacific Ocean fits the image of this burning mountain being cast into the sea. His research revealed that 105,127 ships, either merchant or battleship, that participated in the war, and that 36,387 were destroyed. This would fulfill the statement that a third part of the ships were destroyed. There were fifty-two million people killed during World War II. Baxter feels this is an event important enough to be put into biblical prophecy. [76]
[76] Irvin Baxter, Jr., Understanding the End Time: Lesson 12 The Seven Trumpets (Richmond, Indiana: Endtime, Inc., 1986) [on-line]; accessed 1 October 2008; available from http://www.endtime.com/Audio.aspx; Internet.
Rev 8:8-9. As it were a great mountain burning, &c. In the style of prophesy, a mountain signifies a kingdom, and the strength of it, its metropolis or capital city. See Jer 30:24. Great disorders and commotions, especially when kingdoms are moved by hostile invasions, are expressed in the prophetic style, by carrying, or casting mountains into the midst of the sea. See Psa 46:2. The sea, in the Hebrew language, is any collection of waters: now as waters are expressly made a symbol of people in this prophesy, ch. Rev 17:15 the sea maywell represent the collection of many people and nations into one politic body or empire: and when a sea is considered as an empire, the living creatures in that sea will be the people or nations, whose union constitutes that empire. See Eze 29:3; Eze 29:21. Ships, from their use in trade, are a proper representation of the riches of a people; and as they are of use in war, especially to the maritime nations, they are proper emblems of strength and power. As ships were of both uses in the Roman empire, they may well be understood both of the riches and power of that empire. Thus we have a description, in this part of the second period of prophesy, of a judgment to come on the empire, in which the capital should suffer much; many provinces should bedismembered, as well as invaded, and the springs of power and riches in the empire should be very much diminished: and accordinglywe find in history, that this was indeed a most calamitous period. The year 400 is marked out as the most memorable and calamitous that had ever happened during the empire. The Alans, Vandals, and other barbarous people, in the year 406, made the most furious irruptions into Gaul, passedinto Spain, and thence into Africa; so that the maritime provinces became a prey to them; the riches and naval power of the empire were much diminished, and almost quite ruined: but the heaviest calamities fell upon Rome itself, besieged, and oppressed with famine and pestilence. After Alaric and his Goths, the next ravagers were Attila and his Huns, who, for the space of fourteen years, shook the East and West with the most cruel fear, and deformed the provinces of each empire with all kinds of plundering, slaughtering, and burning. They first wasted Thrace, Macedon, and Greece, putting all to fire and sword, and compelling the Eastern emperor, Theodosius, to purchase a shameful peace. Attila then turned his arms against the Western emperor, Valentinian III.; entered Gaul with seven hundred thousand men, took, plundered, and set most of the cities on fire. But, at length, being vigorously opposed, he fell upon Italy, took and destroyed Aquileia with several other cities, slaying the inhabitants, and laying the buildings in ashes; and filled all places between the Alps and Apennines with depopulation, slaughter, servitude, burning, and desperation. Such a man might properly be compared to a mountain burning with fire; who really was, as he called himself, the Scourge of God, and the terror of men; and boasted that he was sent into the world by God for this purpose; that, as the executioner of his just anger, he might fill the earth with all kinds of evils: and he bounded his cruelty and passion by nothing less than blood and burning.
Rev 8:8-9 . Upon the sound of the second trumpet, follows a sign which exercises its injurious effects upon the sea, together with creatures living therein and on ships.
. Ebrard’s view, that a volcano was torn away from its station along the seacoast by the force raging within, and cast into the sea, conflicts with the as well as with the idea lying in the connection, that the (cf. Rev 8:7 ) occurred by a special, wonderful, Divine working. [2476] The meaning of the was given already by N. de Lyra. [2477] By the comparison with a great mountain all on fire, only the dreadful greatness of the fiery mass is made manifest, which, if we consider its source in general, must be regarded as coming from heaven (cf. Rev 5:7 ). Hence it cannot in any way be said, [2478] that the form of the representation is taken from that of a volcano. An allusion to Jer 51:21 [2479] is entirely out of place. [2480] The effect (Rev 8:8 b , Rev 8:9 ) is described after the model of the Egyptian plague, Exo 7:20 sqq., only that here it is not as there all the water, but, in analogy with Rev 8:7 ; Rev 8:10 sqq., 12 sqq., a third that becomes blood, and likewise a third of living creatures and ships that is destroyed.
. The expression designates all living creatures. The nom. apposition to . . . stands like Rev 3:12 , Rev 9:14 , Rev 14:20 , without construction.
The allegorizing commentators guess here and there without any foundation, because the text throughout contains nothing allegorical. Beda [2481] explains the whole: “As the Christian religion grew, the Devil swollen with pride, and burning with the fire of his own-fury, was cast into the sea of the world.” On . . . he remarks: “those alive, but spiritually dead.” Luther: “Marcion, the Manichaeans, etc.” Grot, may be considered the representative of the expositors who make conjectures in general concerning the distresses of the Romano-Judaic war. According to him, , . . . , designates the citadel of Antony, i.e., the soldiers therein who threw themselves with madness ( . ) into the city ( . . . ), killed men ( , . . . ), and stole what was movable ( . ). Also Vitr., Beng., Stern, yea, even Hengstenb, understand the whole as referring to the devastation of war, while they interpret the details with lack of judgment like Grot., [2482] and only differ from him in that Vitr., etc., find the inroads of the Goths into the Roman Empire, and Hengstenb., wars in general, prophesied. Hengstenb, has the view in general, that, in all the trumpet-visions except the last, the same thing is represented, viz., war. [2483] According to Ebrard, the whole means that “the vulcanic, Titanic energy of covetous or pleasure-seeking egoism poisons the intercourse of men, the intellectual as well as especially the domestic.”
[2476] Cf. Hengstenb.
[2477] “A vast glowing globe.”
[2478] Vitr., Ew.
[2479] .
[2480] Against Vitr.
[2481] Cf. Zeg., etc.
[2482] The “ships,” e.g., are, according to Vitr., small states; according to Hengstenb., cities and villages; the “fish” are in Hengstenb., just as in Grot., men slain by the raging warriors.
[2483] Mat 24:7 .
(8) And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; (9) And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.
As the earth represents the people, so the sea can mean no other. It is the scene of action, where these great things were to be transacted. Hence the great whore, hereafter spoken of is said to sit upon man y waters, Rev 17:1 . And so again, that we may not mistake, the angel which gave John his intimation, said to him, the waters which thou sawest where the whore sitteth, are people; and multitudes, and nations, and tongues, Rev 17:15 . So then, what is said under this second trumpet, is like the former, it refers to persons. And the casting of a great burning mountain into the sea, and the third part of the creatures in the sea dying, and the destruction of the ships, can have no reference whatever but to persons, on whom the Lord’s judgments alight, for their persecution of the Church. Some have thought, and perhaps rightly thought, that as the former punishment, under the first trumpet, had reference to the Arian heresy, in denying the Lord that bought them; so this of a burning mountain cast into the sea, might have respect to what hath ever accompanied the denial of the Godhead of Christ, I mean the denial of the Person, Godhead, and ministry of the Holy Ghost. Here also, as in the former judgment, we read of blood. And the history of those times were very bloody. We read of the Lord’s people hiding themselves in corners to avoid persecution. But when God hides his people; he manifests himself. And, it is very blessed, often now to remark, what gracious and wonderful interpositions, are sometimes shown, in the salvation of his chosen! That sweet scripture is fulfilled. The Lord knoweth, (though they know not,) how to deliver the godly out of temptation; while he will reserve the unjust unto the day of judgment, to be punished; 2Pe 2:9 .
8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;
Ver. 8. A great mountain ] Some notable heresiarch, possibly Pelagius, a monk of Bangor, Morgan by name, that is, in the Welsh tongue, a seaman. This Morgan travelling beyond sea to spread his heresy, called himself Pelagius, by a Greek word of the same signification; because it sounded better in the ears of foreign nations. Hence Augustine, Quid eo pelago (saith he) vult mergi Pelagius, unde per petram liberatus est Petras? (Lib. i. de Grat. Christ. advers. Pelag.)
8 .] And the second angel blew his trumpet: and as it were a great mountain burning with fire was cast into the sea (first, by the , that which was cast into the sea was not a mountain , but only a burning mass so large as to look like one. Then, it was this mass itself , not any thing proceeding from it, which was cast down. So that the introduction of a volcano into the imagery is quite unjustifiable. In the language (hardly in the sense) there seems to be a reminiscence of Jeremiah 28:25, . It is remarkable that there the should be characterized as : cf. our ch. Rev 11:18 ), and the third part of the sea became blood (so in the Egyptian plague the Nile and all the Egyptian waters. By the non-consequence of the result of the fiery mass falling into the sea (so De W., “ eine Wirkung ohne Analogie ”) is again represented to us that in the infliction of this plague from above, the instrument of it is merely described as it appeared ( ), not as it really was. So that all ideas imported into the interpretation which take the mountain , or the fiery character of it, as elements in the symbolism, are departures from the real intent of the description): and the third part of the creatures (reff.) ( that were ) in the sea (not, as Elliott, “in the third part of the sea,” but in the whole. Nor again must we stretch to mean the maritime coasts, nor the islands, nor the transmarine provinces: a usage not even shewn to exist by the examples cited by him, vol. i. p. 344 note: nor by Tacitus’s “ plenum exsiliis mare ;” any more than, if we were to say “the sea is full of emigrants from Ireland,” we should by “ the sea ” mean “ the ships ”) died (cf. Exo 7:17-21 ) those which have life (animal souls: see reff.: and for the appositional nominative, ch. Rev 2:20 reff.), and the third part of the ships were destroyed (another inconsequent result, and teaching us as before.
We may remark, at the end of this second trumpet, that the judgments inflicted by these first two are distinctly those which in ch. Rev 7:3 were held back until the servants of God were sealed: , . . . So that, as before generally remarked, the place of these trumpet-plagues must be sought after that sealing: and consequently (see there) in very close conjunction with the day of the Lord itself).
Rev 8:8-9 . A fiery mass, huge as a mountain, is flung into the sea a description which would recall the fiery volcanic bombs familiar to inhabitants of the Egean. The catastrophe includes, as in the first Egyptian plague, the turning of water into blood and the destruction of marine animals (4 Ezr 5:7 , Verg. Georg . iii. 541 f.), besides havoc among the shipping. Volcanic phenomena ( cf. Introd. 8) in the Egean archipelago ( e.g. , at Thera) are in the background of this description, and of others throughout the book; features such as the disturbance of islands and the mainland, showers of stones, earthquakes, the sun obscured by a black mist of ashes, and the moon reddened by volcanic dust, were the natural consequences of eruption in some submarine volcano, and Thera adjoining Patmos was in a state of more or less severe eruption during the first century. All this suggested the hideous colours in which the final catastrophe was painted by the imagination of pious contemporaries. In the eruption of 1573, the sea round Thera was tinted for twenty miles round, and even when the submarine volcano is quiescent, “the sea in the immediate vicinity of the cone is of a brilliant orange colour, from the action of oxide of iron”. In 1707 a large rock suddenly appeared in the sea, during the eruption, and owing to noxious vapours “all fish in the harbour died”.
NASB (UPDATED) TEXT: Rev 8:8-9
8The second angel sounded, and something like a great mountain burning with fire was thrown into the sea; and a third of the sea became blood, 9and a third of the creatures which were in the sea and had life, died; and a third of the ships were destroyed.
Rev 8:8 “like a great mountain burning with fire was thrown into the sea” Once again the issue is the source of John’s imagery Roman, Jewish inter-biblical, or OT.
1. If it is the OT, then Psa 46:2 or Exo 7:20-21 is the reference.
2. If Jewish apocalyptic, then the reference is I Enoch 18:13-16 or possibly the Sibylline Oracles 5:158.
3. If Roman then possibly it is a historical allusion to the eruption of Mt. Vesuvius, which the Jews interpreted as God’s judgment on Rome for destroying Jerusalem.
The exact source of John’s metaphors is uncertain, but they do speak of God’s wrath toward a rebellious creation with the purpose of redemption in mind.
“and a third of the sea became blood” This is another allusion to the Egyptian plagues (cf. Exo 7:20-21).
Rev 8:9 “a third of the creatures. . .died” This is another allusion to the Egyptian plagues (cf. Exo 7:21).
“a third of the ships were destroyed” This has no parallel in the OT, in apocalyptic literature, or in first century Roman literature. Obviously commerce is affected and goods and food would be scarce. It does confirm God’s limited, progressive judgment. His judgment intensifies (1/4 in the seals, 1/3 in the trumpets) until in the bowls the time of repentance has passed and total, complete judgment occurs.
8.] And the second angel blew his trumpet: and as it were a great mountain burning with fire was cast into the sea (first, by the , that which was cast into the sea was not a mountain, but only a burning mass so large as to look like one. Then, it was this mass itself, not any thing proceeding from it, which was cast down. So that the introduction of a volcano into the imagery is quite unjustifiable. In the language (hardly in the sense) there seems to be a reminiscence of Jeremiah 28:25, . It is remarkable that there the should be characterized as : cf. our ch. Rev 11:18), and the third part of the sea became blood (so in the Egyptian plague the Nile and all the Egyptian waters. By the non-consequence of the result of the fiery mass falling into the sea (so De W., eine Wirkung ohne Analogie) is again represented to us that in the infliction of this plague from above, the instrument of it is merely described as it appeared (), not as it really was. So that all ideas imported into the interpretation which take the mountain, or the fiery character of it, as elements in the symbolism, are departures from the real intent of the description): and the third part of the creatures (reff.) (that were) in the sea (not, as Elliott, in the third part of the sea, but in the whole. Nor again must we stretch to mean the maritime coasts, nor the islands, nor the transmarine provinces: a usage not even shewn to exist by the examples cited by him, vol. i. p. 344 note: nor by Tacituss plenum exsiliis mare; any more than, if we were to say the sea is full of emigrants from Ireland, we should by the sea mean the ships) died (cf. Exo 7:17-21) those which have life (animal souls: see reff.: and for the appositional nominative, ch. Rev 2:20 reff.), and the third part of the ships were destroyed (another inconsequent result, and teaching us as before.
We may remark, at the end of this second trumpet, that the judgments inflicted by these first two are distinctly those which in ch. Rev 7:3 were held back until the servants of God were sealed: , … So that, as before generally remarked, the place of these trumpet-plagues must be sought after that sealing: and consequently (see there) in very close conjunction with the day of the Lord itself).
Rev 8:8. , as a mountain) A mass of barbarian nations is meant; concerning the migration and irruption of which, attended with the greatest injuries, from the third century, history is so full, that it is needless to quote particular authors. The mountain thrown into the sea is aptly expressed from the Varia of Cassiodorius, where a sufficiently obvious mention is made at the same time of the Goths and Romans.
Rev 8:8-9
4. SOUNDING OF THE SECOND TRUMPET
Rev 8:8-9
8 And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; –The sounding of the second trumpet was the signal for the second vision to appear, indicating a second power that would contribute to the down-fall of pagan Rome. The words “as it were” show that it was not a real mountain, but appeared as one to John. It was burning with fire–probably volcanic–and when cast into the sea gave it the appearance of blood. Here it may be observed, as under the first trumpet, the “third part” of the sea may mean a large part, not exactly one-third. Since the picture could not represent the casting of a real mountain into the sea, the word must be used symbolically. In that sense it means “kingdom.” (Isa 22:3; Jer 51:24-25 ; Dan 2:35.) If “sea” and “water” mean the same thing, then in a figurative sense sea means “peoples.” (Rev 17:15; Jer 47:1-2.)
9 and there died the third part of the creatures which were in the sea, even they that had life; and the third part of the ships was destroyed.–If a literal burning mountain were cast into the sea, the natural result would be that fish and other sea animals would be killed and ships would be destroyed. While John saw all this in a vision, it must signify something else. The things represented, however, must be suggested by the things seen in the picture. The whole scene is one of carnage, bloodshed, and destruction. The burning of ships would indicate the destruction of maritime commerce and national protection. With the destruction of ships would go the lives of those who manned them. Placing this destruction on the sea instead of land, as in the first trumpet, shows that the attack on Rome would come from the sea; that is, the struggle would be in the waters near that part of the empire. The “third part” means not all would be destroyed, but a large part would.
In harmony with the line of interpretation of the expositors already mentioned, it is very probable that the vision of the second trumpet was fulfilled in the invasion of the Vandals under Genseric. If the explanation of the first trumpet is correct, this scourge of the empire came at the proper time. Something must be its fulfillment and nothing else seems more appropriate. Concerning Genseric, Gibbon says that in “the destruction of the Roman Empire” his name “has deserved an equal rank with the names of Alaric and Attila.” (Decline and Fall, Vol. III, p. 370.) In A.D. 429 he began his conquest in Africa, which ended in A.D. 439 when Carthage was taken. This whole province was lost to the empire. Speaking of Genseric’s ambition Gibbon says “he cast his eyes towards the sea; he resolved to create a naval power,” which resolve he carried into effect, and the “fleets that issued from the ports of Carthage claimed the empire of the Mediterranean.” In due time he cast anchor at the mouth of the Tiber, advanced from the port of Ostia to the gates of the city of Rome. The results, in part, are thus described by Gibbon: “But Rome and its inhabitants were delivered to the licentiousness of the Vandals and Moors, whose blind passions revenged the injuries of Carthage. The pillage lasted fourteen days and nights; and all that yet remained of public or private wealth, or sacred or profane treasure, was diligently transported to the vessels of Genseric.” This occurred in A.D. 455, and three years later the Roman emperor had prepared a navy of “three hundred large galleys, with an adequate proportion of transports and smaller vessels.” By a surprise attack by the Vandals the Romans were defeated, “many of their ships were sunk, or taken, or burnt; and the preparations of three years were destroyed in a single day.” (Decline and Fall, Vol. III, p. 482.)
The significant thing here is that the attack upon the western part of the empire was from the sea. A fact that does suitably correspond with the vision John saw.
Commentary on Rev 8:8-9 by Foy E. Wallace
The sea smitten–(the second trumpet)-Rev 8:8-9.
And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.
1. The burning mountain. The mountain was used to signify a powerful monarchy, as in Amo 4:1 –and the mountain burning with fire in this symbol signified that the powers which hindered the church were seething in the fury of preparation for attack and destruction. The same imagery is used of Israels powerful enemies in Isa 40:1; Isa 41:5. In this vision of the tribulations which were so soon to overwhelm the church, the burning mountain symbolized the lust of war, and it was descriptive of the Roman and Jewish persecuting powers.
2. The mountain cast into the sea. The great burning mountain was seen in the vision as being cast into the sea. The Roman emperor was symbolized as the beast of the sea and was represented as coming up out of the sea: and this symbol evidently signifies that the government which would wage this war against the church would be the empire and its tributary powers.
3. The smitten sea. As earth referred to the Jewish powers in the land of the Jews, the sea signified the Roman powers. The smitten sea meant the destruction of the power of the sea beast–the Roman persecutors ceasing to make war against the church. The creatures of the sea died and the ships were destroyed; all of which were symbolic descriptions of the broken powers of persecution
Commentary on Rev 8:8-9 by Walter Scott
SECOND TRUMPET
Rev 8:8-9. – And the second angel sounded (his) trumpet: and as a great mountain burning with fire was cast into the sea; and the third part of the sea became blood; and the third part of the creatures which were in the sea, which had life, died; and the third part of the ships were destroyed. A great mountain burning with fire. Scripture itself gives the force of the figure. The mighty Babylonian monarchy is thus spoken of by the prophet Jeremiah (Jer 51:25), Behold, I am against thee, O destroying mountain, saith the Lord, which destroyest all the earth; and I will stretch out Mine hand upon thee, and roll thee down from the rocks, and will make thee a burnt mountain. Jehovah here threatens the Chaldean kingdom – apparently so firmly established in its might and greatness as to defy an overthrow – with consuming judgment, a burnt mountain. Again, the stone which no human hand or tool had touched falls with crushing effect upon the feet of the image, the figure of Gentile power, and then becomes a great mountain, and filled the whole earth (Dan 2:1-49). The world-wide dominion of the Son of Man is thus set forth. A mountain as a symbol represents a kingdom (Isa 2:2; Zec 4:7; Jer 51:25) or a firmly established power (Psa 46:2; Rev 6:14; Rev 16:20). The abstract idea, important to lay hold of in these prophetic symbols, is that of a strong, consolidated, established power, and this power itself the subject of Gods governmental vengeance, for the Seer saw it burning with fire, becoming in the divine hand the instrument of judgment upon the heathen. The weeping prophet, Jeremiah, exactly defines the force and value of the imagery in our text (Jer 51:25).
Rev 8:8. – Was cast into the sea. In the previous Trumpet (Rev 8:7) the earth was the scene of judgment; here it is the sea. The earth is the Roman world in general, the third part being the western portion of the empire. The sea sets forth a state of rebellion against constituted authority; of peoples in a condition of unrest, and consequently outside the limits of the Roman world. Within this latter, in the past as in the future, authority and government are upheld. The ever-restless sea (Isa 57:20; Dan 7:2-3; Rev 13:1; Rev 18:21) is here the chosen figure to denote the peoples of the earth in dire anarchy, owing to the want of a strong controlling power or firm hand. Civil and governmental authority are ordained of God (Rom 13:1). The state of things in the future amongst the nations outside the territorial limits of the revived Roman power may be compared to the condition of France during the reign of terror in the eighteenth century – a nation without God, without religion, and with but the semblance of government, controlled by the wild passions of the mob, the devils playground in Europe. The prophetic sea, therefore, represents the general condition of the nations without civil and spiritual government. Into the seething masses of mankind, of heathenism, this burning power is cast. We now witness the dire results produced. These are threefold, as in the first trumpet.
(1) The third part of the sea became blood. Does blood here symbolize a violent natural death, or does it refer to the spiritual death of apostasy? In our judgment these two forms of death are here combined. Those nations in political or in outward relation to the dominant power of the Roman empire are destroyed. The destruction of life amongst the Gentiles, in association with the guiltiest of the four universal empires, is what the symbol sets forth. Spiritual and physical death is the sure result of any connection with the apostate, blaspheming, and persecuting power of Rome.
(2) The third part of the creatures which were in the sea, which had life, died. That part of the world not brought into orderly subjection to constituted authority, but in external relation to the empire, is next seen in vision, as visited in judgment. Persons, and not peoples or nations in general, as in the first judgment, are in question. The term creatures would imply as much. Even in heathenism varying measures of responsibility and commensurate degrees of guilt exist. The third part, i.e., the worst is before us in this series of divine chastisements. The third part of the creatures which were in the sea, which had life, died. The interpretation of the Seals is a simple matter compared to that of the Trumpets. In the latter there is a purposed mysteriousness in the symbols employed which makes a minute examination somewhat difficult. Here, however, with Rev 2:23 and Rev 3:1 before us we are on firm ground. Moral, spiritual death is the undoubted force of the judgment here executed. Death towards God, towards principles of truth and righteousness, and, in fact, death viewed morally in its widest aspect and character.
(3) The third part of the ships were destroyed. Now this destructive power, whether a nation or a system, violently thrown into the unformed masses of mankind not only works awful destruction, physical and moral, on peoples and persons, it wrecks also the commerce and means of communication with distant countries. The third part of the ships were destroyed. But the tale of judgment is not yet told. The darkness thickens as the night wears on. Horror succeeds horror. Oh that Christendom would wake up to the stern reality that the Judge is at the door!
Commentary on Rev 8:8-9 by E.M. Zerr
Rev 8:8. The judgments of God against the Empire continue as thy second angel sounds his trumpet. Great mountain burning signifies thedownfall of some unit of the government. Cast into the sea symbolizes the people (represented by the sea) as feeling the effects of this political downfall. Sea became blood signifies that much bloodshed was suffered among the people caused by the internal disturbances.
Rev 8:9. All of this is figurative because the literal sea and its vessels of traffic were unharmed by the political confusion. But it gives a picture of what did occur, and in stating an exact percentage as dying we will understand that a great portion suffered but the government was not exterminated..
Commentary on Rev 8:8-9 by Burton Coffman
Rev 8:8-9
And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; and there died the third part of the creatures which were in the sea, even they that had life; and the third part of the ships was destroyed.
The second judgment falls upon the sea. It is foolish to suppose that John is here merely making imaginative use of the imagery derived from volcanoes, etc. This language goes far beyond any natural phenomenon ever heard of. A literal picture of what is described here is impossible. A third of the ocean turned to blood, and yet two thirds of earth’s shipping still remaining active upon it, is an impossible conception. A third of the ships destroyed, and a third of the creatures in the sea destroyed – the preterists point to certain great naval battles of history; but in truth, no single event of all history could possibly fulfill so terrible a prophecy as this; and yet such interpreters seem to be correct in the view that great maritime disasters are here suggested. Any particular one? No. It would be an exercise in futility to fasten an identity with this trumpet judgment upon any one of them, except as an example.
As an example, we cite the wreck of the great Spanish Armada in 1588, not by a naval battle, but by a great storm, which preserved England from subjection to the regressive tyranny of Spain, and led to the first Thanksgiving Day ever observed in the English-speaking world, and from which our own Thanksgiving Day customs are derived. This is only an example of many maritime disasters, nor may we suppose for an instant that John consciously foretold this. It may be objected that John’s language here cannot be reconciled with such an event; but we ask, what event could be? Furthermore, any naval captain of the Spanish Armada would most likely have agreed that “a burning mountain” had been cast into the sea!
The destruction depicted in this vision may not be confined to any one time or locality. The trumpets do not follow the seals in a chronological sequence, but, “Both are being fulfilled side by side in the same epoch.”[49] That epoch, of course, is our own. We continue to be amazed at the exhaustive efforts of commentators to find parallels of this in the plagues of Egypt; but absolutely nothing in those judgments is worthy to be compared with these. Therefore, like Lenski, “We do not stress the resemblance of these judgments to those plagues.”[50]
We cannot leave this prophecy of the “burning mountain” cast into the sea without citing the only literal historical fulfillment of it that is known; and, even in this, the sea did not become blood. On August 27,1883, the 2,623-foot mountain Krakatoa in the Sunda strait of Indonesia literally exploded, burned up completely, and was cast into the sea, the waters where the mountain stood having been 1,000 feet deep ever since.[51] Following this event, atmospheric waves girdled the earth seven times; tidal waves are thought to have destroyed a million lives; some tidal waves reached England, more than 11,000 miles away; and the explosion was actually heard at Bangkok at a distance of 3,000 miles! Thus, within the memory of a few people who have just died, we still have the evidence that the trumpet of God still sounds above the waters of the sea.
Of course, we do not think that John prophesied this, nor any other particular disaster; but he surely conveyed the revelation that includes all such things; nor should we for an instant suppose that great maritime disasters belong to the past alone. How inadequate and limited are the interpretations of these prophecies which confine them to obscure events in the history of a single nation some sixteen centuries, or more, in the past!
Lenski, and many other respected commentators, applied these two verses (Rev 8:8-9) to, “Destructive religious delusion, not the old paganism, but a new delusion which will not accept the gospel.”[52] While this fits our own age well enough, it appears to us that it is more fittingly applied to the judgments of the trumpet woes. We cannot get away from the inference in these first four trumpets that the judgments do not fall upon people directly, but upon land, sea, river and air. Providential intervention in human environment is meant. “All of these four judgments show that the sin of man can and does adversely affect the rest of creation, which reacts disastrously upon man’s own life.”[53]
[49] A. Plummer, op. cit., p. 234.
[50] R. C. H. Lenski, op. cit., p. 278.
[51] Encyclopedia Britannica, 1961 edition, Vol. 13, p. 499.
[52] R. C. H. Lenski, op. cit., p. 279.
[53] F. F. Bruce, op. cit., p. 647.
Commentary on Rev 8:8-9 by Manly Luscombe
8 Then the second angel sounded: And something like a great mountain burning with fire was thrown into the sea, and a third of the sea became blood. The symbol of water is shown to represent people in 17:1 and 15. John is not concerned about the environment and pollution of our water in this text. He is apprehensive about the masses of people who are living on this earth. The severe persecution in the first century was causing many people to deny their faith and lose their spiritual life. The 2nd trumpet warns us that people of all ages can, in time of hardship, lose their spiritual life by giving in to the persecution, regardless of how severe it might be.
9 And a third of the living creatures in the sea died, and a third of the ships were destroyed. The part of man, which is spiritual (soul or spirit), is destroyed. This is not saying that 33% of all Christians will die. This is a warning that yielding to the persecution can cost you your spiritual life with God. What is the meaning of the ships mentioned here? Listen to Paul as the literal ship taking him to Rome was about to sink. Except these abide in the ship, you cannot be saved. (Act 27:30-31) The spiritual parallel is that we must remain in the ship of believers, in the church, the ship of Zion, if we expect to be saved. Jumping overboard or abandoning ship will result in our spiritual death.
angel
(See Scofield Heb 1:4).
and as: Jer 51:25, Mar 11:23
burning: Amo 7:4
the third: Rev 8:7, Rev 16:3-21, Exo 7:17-21, Eze 14:9
Reciprocal: Exo 7:20 – all the waters Job 14:18 – the mountain
Rev 8:8. The judgments of God against the Empire continue as thy second angel sounds his trumpet. Great mountain burning signifies the downfall of some unit of the government. Cast into the sea symbolizes the people (represented by the sea) as feeling the effects of this political downfall. Sea became blood signifies that much bloodshed was suffered among the people caused by the internal disturbances.
Rev 8:9. All of this is figurative because the literal sea and its vessels of traffic were unharmed by the political confusion. But it gives a picture of what did occur, and in stating an exact percentage as dying we will understand that a great portion suffered but the government was not exterminated.
Comments by Foy E. Wallace
Verses 8-9.
The sea smitten–(the second trumpet)–Rev 8:8-9.
“And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood; And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.”
1. The burning mountain. The mountain was used to signify a powerful monarchy, as in Amo 4:1 –and the mountain burning with fire in this symbol signified that the powers which hindered the church were seething in the fury of preparation for attack and destruction. The same imagery is used of Israel’s powerful enemies in Isa 40:1; Isa 41:5. In this vision of the tribulations which were so soon to overwhelm the church, the burning mountain symbolized the lust of war, and it was descriptive of the Roman and Jewish persecuting powers.
2. The mountain cast into the sea. The great burning mountain was seen in the vision as being cast into the sea. The Roman emperor was symbolized as the beast of the sea and was represented as coming up out of the sea: and this symbol evidently signifies that the government which would wage this war against the church would be the empire and its tributary powers.
3. The smitten sea. As earth referred to the Jewish powers in the land of the Jews, the sea signified the Roman powers. The smitten sea meant the destruction of the power of the sea beast–the Roman persecutors ceasing to make war against the church. The creatures of the sea died and the ships were destroyed; all of which were symbolic descriptions of the broken powers of persecution.
Rev 8:8-9. These two verses contain the second trumpet, at the sounding of which what resembled a great mountain, as it were a great mountain burning with fire was east into the sea. There is nothing in this part of the description to remind us of the plagues of Egypt, but in Jer 51:25 we read of a burnt mountain. It may be doubted, however, whether there is any reference to this, and the image may be only intended to convey to us the idea of a judgment frightful to behold, and terrible in its effects. That we are not to think of any particular object is evident from the want of all direct correspondence between the instrument of judgment and its effects. The casting of a burning mountain into the sea has no tendency to turn its waters into blood.In the description of the effect produced we are reminded of the first plague of Egypt (Exo 7:20-21). As before, and no doubt for the same reason, it is a third part of the sea, and of the creatures which were in the sea and of the ships, that suffers. The first becomes blood, the second die, the third are destroyed. The ships appear to be thought of apart from their crews.
This trumpet is distinguished from the first by its containing judgments on the sea instead of the land, but both sea and land can only be regarded as together making up the surface of the earth. They are not separately symbolical, the one of the mass of the Gentile nations, the other of the Jews.
Observe here, 1. The universality of the judgment inflicted; the former judgment was upon the earth, this upon the sea; that no place might escape, a storm of hail and blood falls upon the former, a mountain of burning fire is cast into the latter; both signifying increased wars and bloodshed by sea and land, according to some; the mighty prevalency of error and heresy, say others, and particularly of the Arian heresy, which puffs up and swells with pride, and is the harbinger and forerunner of ruin and destruction; as only by pride cometh contention, so after pride, or along with pride, cometh destruction.
Another calamity in nature is here used to describe a warning coming from God. Something like a great mountain on fire is cast into the sea and one-third is turned to blood, onethird of all creatures in the sea destroyed, along with one-third of all ships. God can use natural disasters to warn wicked men. When God was preparing to bring judgment down upon Babylon, he used similar words. ( Jer 51:24-25 ; Jer 51:42 )
Rev 8:8-9. And the second angel sounded, and, as it were, a great mountain burning with fire That is, a great warlike nation, or hero; for in the style of poetry, which is near akin to the style of prophecy, heroes are compared to mountains; was cast into the sea: and the third part of the sea became blood; and the third part of the creatures which were in the sea died The sea, in the Hebrew language, is any collection of waters, as Daubuz observes: now, as waters are expressly made a symbol of people in this prophecy, Rev 17:15, the waters which thou sawest are people, and nations, and tongues; the sea here may well represent the collection of many people and nations into one body politic, or empire; and when a sea is considered as an empire or a collection of people into one body, the living creatures in that sea will be the people or nations whose union constitutes this empire. And the third part of the ships were destroyed Ships, from their use in trade, are a proper representation of the riches of the people; and as they are of use in war, especially to maritime nations, they are proper emblems of strength and power. As ships were of both uses in the Roman empire, they may be well understood both of the riches and power of that empire. Thus we have a description, in this part of the second period of prophecy, of a judgment to come on the empire, in which the capital should suffer much, many provinces should be dismembered, as well as invaded, and the springs of power and riches in the empire should be very much diminished. And accordingly we find in history that this was indeed a most calamitous period. The year 400 is marked out as one of the most memorable and calamitous that had ever befallen the empire; and in the latter end of the year 406, the Alans, Vandals, and other barbarous people, passed the Rhine, and made the most furious irruption into Gaul that had yet been known; passed into Spain, and from thence over into Africa; so that the maritime provinces became a prey to them, and the riches and naval power of the empire were almost quite ruined. But the heaviest calamities fell upon Rome itself, besieged and oppressed with famine and pestilence. After Alaric and his Goths, the next ravagers were Attila and his Huns, who, for the space of fourteen years, shook the east and west with the most cruel fear, and deformed the provinces of each empire with all kinds of plundering, slaughter, and burning. They first wasted Thrace, Macedon, and Greece, putting all to fire and sword, and compelled the eastern emperor, Theodosius the second, to purchase a shameful peace. Then Attila turned his arms against the western emperor, Valentinian the third; entered Gaul with seven hundred thousand men, and, not content with taking and spoiling, set most of the cities on fire. But at length, being there vigorously opposed, he fell upon Italy, took and destroyed Aquileia, with several other cities, slaying the inhabitants, and laying the buildings in ashes, and filled all places between the Alps and the Appennines with flight, depopulation, slaughter, servitude, burning, and desperation. Such a man might properly be compared to a great mountain burning with fire, who really was, as he called himself, the scourge of God, and the terror of men, and boasted that he was sent into the world by God for this purpose, that, as the executioner of his just anger, he might fill the earth with all kinds of evils; and he bounded his cruelty and passion by nothing less than blood and burning.
8. When the second angel sounds his trumpet, a great mountain, flaming with fire, is cast into the sea. Appalling are the consequences.
8:8 {6} And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;
(6) The second execution on the sea, in this verse and all things that are in Rev 8:9 .
The second trumpet 8:8-9
Following the blowing of the second trumpet something "like [cf. Rev 6:13] a great mountain" that was on fire came crashing down from heaven into the waters of one or more of the earth’s seas. This resulted in a third of the oceans, perhaps a third of the ocean waters, becoming blood. Whether the water became blood, or became a substance like blood, or simply looked like blood, is difficult to determine from the text (cf. Exo 7:20-21; Psa 78:43-44; Joe 2:31; Zep 1:3). Literally it could become blood. I understand that the only chemical difference between seawater and blood is that blood contains an iron molecule that is absent in seawater. Perhaps this mountain-like mass (a meteor?) will provide that molecule resulting in a change in the chemical composition of these seas. A third of the creatures living in the sea died, and a third of the ships on the sea perished. Beale took the mountain figuratively to represent a kingdom, specifically the Babylon referred to in chapters 11-18. [Note: Beale, p. 476, ]
"As of January 1, 1981 there were 24,867 ocean-going merchant ships registered. Imagine the shock waves that would hit the shipping industry if 8,289 valuable ships were suddenly destroyed! And what about their cargoes!" [Note: Wiersbe, 2:593.]
John was clearly describing supernatural interventions, not natural happenings.
Fuente: Commentary Series on the Bible by Peter Pett
Fuente: Everett’s Study Notes on the Holy Scriptures
Fuente: Commentary on the Holy Bible by Thomas Coke
Fuente: Heinrich August Wilhelm Meyer’s New Testament Commentary
Fuente: Hawker’s Poor Man’s Commentary (Old and New Testaments)
Fuente: John Trapp’s Complete Commentary (Old and New Testaments)
Fuente: Henry Alford’s Greek Testament
Fuente: The Expositors Greek Testament by Robertson
Fuente: You Can Understand the Bible: Study Guide Commentary Series by Bob Utley
Fuente: The Greek Testament
Fuente: Gnomon of the New Testament
Fuente: Old and New Testaments Restoration Commentary
Fuente: Scofield Reference Bible Notes
Fuente: The Treasury of Scripture Knowledge
Fuente: Combined Bible Commentary
Fuente: A Popular Commentary on the New Testament
Fuente: Expository Notes with Practical Observations on the New Testament
Fuente: Gary Hampton Commentary on Selected Books
Fuente: Joseph Bensons Commentary on the Old and New Testaments
Fuente: William Godbey’s Commentary on the New Testament
Fuente: Geneva Bible Notes
Fuente: Expository Notes of Dr. Constable (Old and New Testaments)